GUERCINO
Italian Baroque Era Painter, 1591-1666
best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657. Related Paintings of GUERCINO :. | The Raising of Lazarus | The Cumaean Sibyl with a Putto | The Dead Christ Mourned by two Angels | Apparition of Christ to the Virgin | Virgin and Child with the Patron Saints of Modena | Related Artists: Marmion, SimonFrench-born Flemish Northern Renaissance Painter, ca.1425-1489
French illuminator and painter. He was trained in Amiens and established a productive workshop in Valenciennes, but at the end of his career appears to have had connections with manuscript painting in the southern Netherlands. Although no signed or documented works survive, many illuminated manuscripts and some panel paintings have been convincingly attributed to him and his workshop. On the basis of these he has been recognized as an important figure in the development of both French and Netherlandish painting. Merson, Luc-OlivierFrench Painter, 1846-1920
French painter and illustrator. He was the son of the painter and art critic Charles-Olivier Merson (1822-1902) and trained initially at the Ecole de Dessin in Paris under Gustave Adolphe Chassevent (1818-1901) and then at the Ecole des Beaux-Arts under Isidore-Alexandre-Augustin Pils. He made his d?but at the Salon in 1867 and won the Grand Prix de Rome in 1869 with the melodramatic work, the Soldier of Marathon (1869; Paris, Ecole N. Sup. B.-A.). As a prizewinner he then spent five years in Italy, where he was impressed and influenced by the works of the Italian Primitives, as is apparent in such works as St Edmund, King and Martyr (1871; Troyes, Mus. B.-A. & Arch?ol.), with its muted colours and rigid composition. In the Salon of 1875 he exhibited Sacrifice for the Country, St Michael, which had been commissioned as a design for a Gobelins tapestry for the Salle des Ev?ques in the Panth?on, Paris. Soon afterwards he was chosen to decorate the Galerie de St Louis in the Palais de Justice, Paris, with scenes from the life of Louis IX. This resulted in two large works, Louis Opening the Doors of the Gaols on his Accession and Louis Condemning Sire Enguerrand de Coucy (both 1877). He also used historical, often religious, subjects for his smaller-scale works, as in St Francis of Assisi Preaching to the Fish (1880; Nantes, Mus. B.-A.). Wassily Kandinsky1866-1944
Wassily Kandinsky Galleries
was a Russian painter, printmaker and art theorist. One of the most famous 20th-century artists, he is credited with painting the first modern abstract works.
Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession??he was offered a professorship (chair of Roman Law) at the University of Dorpat??he started painting studies (life-drawing, sketching and anatomy) at the age of 30.
In 1896 he settled in Munich and studied first in the private school of Anton Azbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914 after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944.
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